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How to Practice Volleyball Alone: Serve, Pass, Then Set

Practice volleyball alone with ball-control and wall drills, serving targets, clear checkpoints and a repeatable 25-minute session.

Dana Whitfield

You can practice volleyball alone with a ball, clear floor space and a target. Start with your serve routine and toss, spend most of the session on passing, then add setting. A wall gives you a returning ball; a court and net let you test actual serve accuracy.

Count controlled contacts, not just touches. Below, each drill has one cue and a checkpoint. The numbers are suggested practice targets, not official standards: meet the checkpoint in two sets before adding difficulty.

Set up for the space you have

  • Ball only: Practice tosses, pass-and-catch and self-setting.
  • Ball and wall: Add passing and setting to a marked target.
  • Court and net: Test serves from behind the end line.
  • No ball: Rehearse balanced passing movement and approach footwork, but leave ball-contact work for another session.

Use a dry, nonslip surface with room to move. For wall drills, choose a solid wall without windows, fixtures or people nearby, and get permission to use it. Remove loose balls and obstacles. Skip full-power swings and jumping in cramped rooms; stop if a movement hurts.

1. Serving: repeat your routine and toss

Setup: Stand in your usual serving stance with enough overhead clearance. Use this drill for a standing overhand serve, rather than trying to copy a jump-serve toss.

Action:

  1. Choose a short routine you can repeat before every serve.
  2. Toss the ball, but do not swing.
  3. Catch it near your intended contact point without leaning sideways or chasing it.
  4. Reset completely between attempts. Do two sets of 10.

Cue: Toss in front of your hitting shoulder.

The Art of Coaching Volleyball’s serving guidance emphasizes a repeatable routine and a toss in front of both the body and hitting shoulder.

Checkpoint: On at least 8 of 10 tosses, the ball reaches the same comfortable contact area without a sideways step or lean. If it drifts, work on the toss rather than compensating with your swing.

If you have a court and net

Use your current serve to send 10 balls toward the middle of the opposite court and record how many clear the net and land in bounds. If necessary, begin closer to the net, then move back as you gain control. Attempts from inside the court are a learning step, not your full-distance serving test.

Checkpoint: Make 8 of 10 from behind the end line before shrinking the target. Next, mark a broad left or right landing area with flat, removable tape, if permitted, and aim for 6 of 10 there while still making at least 8 of 10 in bounds.

A wall target can give feedback on direction, but it cannot confirm that a serve would clear a net and land inside the court. Save jump serving for suitable court space and follow the jump-serve progression.

2. Passing without a wall: toss, pass, catch

Your platform is the flat surface made by joining your hands and presenting your forearms to the ball.

Setup: Stand in clear space with your knees comfortably bent and the ball in your hands.

Action: Toss the ball gently above and slightly in front of you. Join your hands, pass it upward with your forearms, then catch it. Reset after every attempt instead of trying to rescue a long streak.

Cue: Hold the platform angle through contact.

USA Volleyball’s passing guidance stresses a solid platform directed toward the target, along with calm, efficient footwork.

Checkpoint: Complete 8 of 10 passes that rise above your head and can be caught with no more than one adjustment step.

Once that is repeatable, try two passes before catching. No extra credit for keeping a wild ball alive: return to one pass if control disappears.

3. Wall passing: target first, movement second

Setup: Begin about 6 feet from a solid wall and adjust the distance so the rebound is manageable. Mark a broad target above head height using removable tape, if permitted.

Action: Toss the ball against the wall. Pass the rebound back toward the target, then catch the next return. Repeat 10 times. Once you can control individual passes, try consecutive wall passes.

This is a catch-and-reset adaptation of The Art of Coaching Volleyball’s wall passing and setting drill, which uses consecutive contacts after an initial toss against the wall.

Cue: Aim the platform; avoid a big arm swing.

Checkpoint: Hit the target on 8 of 10 individual passes, then build to 10 controlled consecutive passes. Count a contact only when it reaches the target and leaves a manageable rebound.

Add movement: Toss slightly to your left or right, move into position, pass to the same target and catch. Start with small offsets—not hard, unpredictable throws.

Movement checkpoint: Make 8 of 10 target passes without stumbling or lunging. If accuracy drops, reduce the offset before increasing speed.

4. Setting: control one ball before chasing a streak

Setup: Use open space with overhead clearance, or the same wall at a comfortable distance.

Action: Gently toss the ball above your forehead, set it upward and catch it. Progress to consecutive self-sets. With a wall, toss against it and set the rebound toward your target; the wall drill above also uses this setting variation.

Cue: Send the ball above the same spot.

Checkpoint: Make 8 of 10 self-sets you can catch above your forehead without chasing, then attempt 10 consecutive controlled sets. For hand position and release, use the setting technique guide.

A repeatable 25-minute solo session

Time Task
3 minutes Easy walking or jogging, arm movements and gentle ball contacts
6 minutes Serve routine and tosses, or court serving
10 minutes Pass-and-catch or wall passing; add movement only after control
4 minutes Self-setting or wall setting
2 minutes Record scores and choose the next session’s focus

Include retrieval and short rests in each block. Record the drill, target size or distance, successful attempts and one recurring miss. Keep the setup unchanged when comparing scores.

For hitting, rehearse your familiar approach slowly in clear space rather than smashing balls into a nearby wall. Use the hitting-drill progression when you have suitable space and equipment.

At your next team practice, check whether your solo control holds up against a real serve or set. Wall rebounds and self-tosses do not reproduce an opponent’s delivery, teammate communication or attack timing.